Do you like suspense and unusual endings? Many directors and screenwriters make their bets on the unexpected finale. These are mainly detectives and thrillers. And it makes sense because such genres are built on exciting plot and extraordinary events. However, coming up with a non-predictable script with multiple twists is a difficult challenge. So what are the secrets of the success of such movies and how to write a script that will take the viewers’ breaths away?

A Unique Idea

The plot twist is always a surprise to the viewer. If one guesses about the possible turn of the story in advance, there will be no expected effect. So it would help if you did not use the same suggestions twice. You cannot catch the audience on the well-known hook.

A General Roadmap Only

Mapping out every turn of a plot is not a good idea. There should be some room left while writing the scenario. Some of the best ideas may come what you don’t expect this, so give yourself more place for the sudden inspiration. If you lack some confidence or writing skills, there are ways to get help from professionals. Use the assistance of the Essay Service Site. This is an online helper for those who need to get perfectly written papers on demand. The range of options is wide. For instance, the EssayPro team is available around the clock, so you can get the writing assistance whenever it’s required.

Misdirect the Viewers

Misdirection is one of the most popular tools screenwriters use while creating the plot with twists. The main goal of this technique is to make the viewer think that one has figured out the end.  Make an insignificant details important all of a sudden so that the viewer becomes confused.

Details Matter the Most

The twist isn’t about fooling the audience. It should be logically integrated into the general plot, explaining the main idea unpredictably. That’s why experienced screenwriters pay great attention to details, making them an essential part of the movie.  Scatter the history with small hints. Remember Chekhov’s gun hanging in the first act and shooting in the last? That’s what it is.

Clear up Suspicions

The main prerequisites of the story must be hidden. This should be done on the stage of creating a script. Focus on different actions, change POVs, if needed. Let the audience think that some character is a villain, and then turn the hunter into the hunted.

Dead-End

The dead-end is not the easiest, but one of the most effective techniques of an ambiguous ending. It always leaves a feeling of uncertainty. This way, you can also avoid unnecessary explanations and use the imagination of the viewer as the primary tool to decide what is the fate of the characters.

Unreliable Storyteller

We tend to trust the narrator without thinking that one can easily be a liar. This is more about the subjectivity factor. By taking advantage of this technique, you can make a finale quite different from the expectations set. But do not forget that his unreliability must be hidden for a while.

Make Your Twist Emotional

Emotions influence film judgment and perception of the movie a lot. If the story leaves viewers indifferent to the main characters, it’s the indicator of the failure. So try to play on the feelings of the audience and make your twist emotional. If your plot is mostly positive – add the turn with the negative emotions or some situation.

“No One is Safe” Technique

Not all movies have a happy ending, especially those with outstanding plot twists. Screenwriters often kill the main character to make the story more emotional. However, some Hollywood filmmakers use “no one is safe” technique with characters of a different magnitude to make the movie even more unpredictable.

Don’t Oversell the Twists

The twist should surprise, but not annoy viewers. Purple dinosaurs in a detective? Definitely not the best idea. Enrich your story with the twists, but don’t oversell them. Otherwise, the story may be spoilt.

Don’t Explain the Idea Too Much

Each of the plot elements does not require abundant explanations. You have to create space for the viewers to think. Put the unimportant events in the middle of your plot. This distracts the audience from the essential details of the events. Quentin Tarantino used it in “Pulp Fiction.” No one still knows what was in a black briefcase carried by Jules and Vincent. And it does not have an impact on the major plot. However, fans are still looking for answers and create dozens of theories what was in Marcellus Wallace’s briefcase.

Put Yourself in the Viewer’s Shoes

Imagine that you are not the author of your plot. How would you react to the turns of the event? This is a simple but effective technique to review the quality of the story. Make notes and suggest several potential endings and try to understand what you as a viewer would like the most.

Wrapping Up

These are just a few ways out of hundreds of how one can create a script with multiple plot twists. It could be challenging to make a movie that can impress millions of viewers. But don’t try to use all the tools at once. Work on your own style and try to stand out from the crowd.